Wednesday, 2 December 2015

Sax Appeal - Derek Nash

Derek Nash
Sax Appeal
Alec Dankworth
Derek Nash - Alto Saxophone
Scott Garland - Alto Saxophone
Duncan Eagles - Tenor Saxophone
Rob Hughes - Tenor Saxophone
Bob McKay - Baritone Saxophone and Flute
Alec Dankworth - Bass
Rick Simpson - Keys
Scott Garland
Mike Bradley - Drums


Date - 27th October 2015

Venue - Twickenham Jazz Club, Cabbage Patch, Twickenham

Current Albums
Sax Appeal - FUNKERDEEN
Derek Nash - You've Got to Dig It to Dig It, You Dig?


Duncan Eagles
Derek Nash in concert
He is currently on tour with the Jools Holland R&B Orchestra until 2oth December 2015. More details at http://www.joolsholland.com
He does have a duo gig at The Cross Keys, 236/238 St Johns Road, Tunbridge Wells, Kent, TN4 9XD on 16/12/2015 - 20:15


Rob Hughes
The audience like Derek Nash, they quite simply like him as much as a person as they do a musician. To build this rapport with an audience isn't necessarily an easy thing to do and Nash never holds back in his commitment to a performance.

The tenors of Rob Hughes and Duncan Eagles (fresh off the plane from Partikel's epic tour of China) give us an early Jazz wedgie with the title track to Sax Appeal's latest album Funkerdeen.


Bob McKay
Blue for you feels its way through sleepy eyes into Sax Appeal's performance, Bob McKay wears the metaphorical pyjamas, stretching out his long limbs, propping himself on an elbow and fires up a little smoke. There is an epilogue to this song from Rob Hughes who puts the melting cheese on this morning fry up, a toasty delight, crisp and even. Eventually and unavoidably sinking teeth into much more meaty fare.

The optimistic Seville being the tune. An infectious march and leap, that spurred toes in the audience, from drum to bass, top to bottom, forward and back. Mike Bradley's hard persuasive beats, a beast happy in its sweating skin.

Mike Bradley
The stage was not only set for Jazz music but also the imminent World Cup rugby final, the crowd already full bolstered by Antipodean visitors dancing in the aisles and drinking champagne. The stage bulbs above Sax Appeal start to swing with the convection heat pulsing from the 5 strong saxophone line. Derek Nash's music never talks of empty landscapes it always speaks of people and to people. He is a showman in the kindest definition of the word, his music is a bus ride, a tram journey perhaps. It is about chatter and rubbing shoulders, the joy of being amongst other people. It seems obvious but that is why we come to clubs like Twickenham Jazz Club rather than watch our heroes on Youtube.

Rick Simpson
Sax Appeal aren't a one trick pony, neither in personnel nor subject matter. Derek Nash's Phoenix Suite is testament to that. No hitch kicks from Nash on this occasion, he instead leans back and calls like a howling wolf. Eagles takes up the challenge,  angular and sharp, he is both the builder of the song's motifs and its wrecker. You'll be unlikely to see a tattoo on Eagles knuckles but for this song his fists might well of spelt out Love and Hate. Ghosts, rather than make us dwell on death, awakened an interest in Rick Simpson and were the foundations for a wall of saxophone sound. Simpson was forever present, eventually pulling the teeth from the deadly big band saxes. His was a Hammond silt that eventually sieved out Derek Nash, like gold in a prospector's pan.

AL.

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