Showing posts with label Tim Armacost. Show all posts
Showing posts with label Tim Armacost. Show all posts

Monday, 11 January 2016

New York Standards Quartet - London Jazz Festival

Tim Armacost
New York Standards Quartet
Tim Armacost – saxophones
David Berkman – piano
Michael Janisch – double bass
Gene Jackson – drums

Date - 22nd November 2015
Venue - Pizza Express Soho, London
Current Album - Power of 10 (Whirlwind Recordings)

Michael Janisch
NYSQ's latest recording, Power of 10 is their second release for Whirlwind and a tribute to their ten years of performing together. The band came together when three of New York’s busiest jazz players noticed they had one thing in common: Japan. Tim Armacost is a grammy nominated tenor saxophonist who has performed with Kenny Barron, Bob Hurst and Ray Drummond among many others, and is the group’s founder. He had lived in Tokyo several times and performed there for years. Gene Jackson, a drumming powerhouse well-known from his nine years in the Herbie Hancock trio as well as his performances with Dave Holland, the Mingus Band and Wayne Shorter, had recently married a Japanese woman and was splitting his time between New York and Tokyo. David Berkman, a fiery pianist who is both rooted in the jazz tradition and a harmonically adventurous improviser and composer, is a 30+ year NYC veteran of many bands including Tom Harrell, The Vanguard Orchestra and countless others. Berkman, also married to a Japanese woman, was traveling to Japan with increasing frequency.

Gene Jackson
Of course, it turns out they had a lot more in common than a love of Japanese culture. They had an approach to playing standards honed by their years on the NY Jazz scene, leading their own bands of original music and playing with jazz legends. Berkman, who writes much of the band’s repertoire, has a distinctive flair for re-casting well-known jazz standards in new and unexpected settings. ​On Power of 10, ​ Songs like “Deep High Wide Sky” and “Hidden Fondness” are melodies based on the chord progressions of “How Deep is the Ocean” and a reharmonized, “Secret Love”. In the band’s hands, his arrangement of the well worn standard “All of Me” becomes a daring, harmonically tense vehicle for Armacost’s mighty soprano playing and Jackson’s powerful drumming. Armacost’s arrangement of “Lush Life” brings a new perspective to this classic Strayhorn ballad and his "Green Doll’s Phone” is a playful treatment of “On Green Dolphin Street” written to showcase the brilliant technical prowess of bassist Michael Janisch who joined them for this recording. Gene Jackson, the band’s rhythmic center who drives the music forward with fire and infectious good spirits, is much in evidence throughout the session and contributes his arrangement of Elvin Jones’ “Three Card Molly.”

David Berkman
What began as a happy coincidence of three friends in a foreign land has grown into a mature collective that is more than the sum of its impressive parts. The band has toured extensively in Japan, the U.K., around Europe and the United States for ​t​en​ years. These days, that is an extremely rare accomplishment in the jazz world, where economic pressures work against band longevity. The close connection between the members is evident throughout this recording: an idea starts with one player and is picked up and developed by another​ ​risk taking and improvisation abound, but there’s a sense of warmth, enjoyment and shared purpose that permeates all of these performances.
This has become the hallmark of this group’s playing: an easy rapport with one another developed through ten years of playing together and interpreting jazz classics in a highly engaging and personal way. The audience response has been phenomenal, in part because they give the listener something familiar to grab on to, before throwing in the bends and quirks that NYSQ has become known for, creating modern shapes and visions of these well-known ​songs​. Or to quote John Fordham ​from The Guardian ​in his rave review ​from a recent UK tour:

“Deep High Wide Sky sounds like the Lee Konitz classic Subconscious-Lee, and Doll’s Phone Cause is a similarly byzantine bopper, driven hard by Janisch’s bass-walk. All of Me has an inventively reworked harmony and fresh rhythmic edge, an ominous Lush Life finds Armacost and Berkman reacting smartly to each other, and Hidden Fondness remoulds Secret Love as a vehicle for the gleeful collective energies of all four.”

As a thank you Whirlwind are  offering 30% off everything on their site from today until January 28th 2016.  Simply add the code JANUARY2016 on the Checkout page (there's a space provided that says 'enter coupon code') and your purchase price will be reduced by 30%. This discount applies on all site products: CDs, digital albums and individual tracks.

Tuesday, 29 December 2015

Alex Garnett Bunch of Five

Alex Garnett
Alex Garnett Bunch of Five
Alex Garnett – tenor sax & compositions
Tim Armacost – tenor sax
Ross Stanley – piano
Michael Janisch – double bass
Andrew Bain – drums

Michael Janisch

Date - 22nd November 2015
Venue - Pizza Express Jazz Club, Dean St, Soho, London, UK.
Current Album - Andromeda (Whirlwind Recordings)

Ross Stanley
Hear him playing - Alex can be found in the depths of Soho at Ronnie Scott’s every Monday and Tuesday night for his weekly late-late show residency, when not on the road.

Raconteur Alex Garnett with his trim London/NYC five piece punch-in at the London Jazz Festival 2015.

Roundabouts and swings, never Fragonard nor My Fair Lady but those grubby shiny seats we love so dearly on this grimy isle. Wiping the dew, rain or damp off with a sleeve as the very British wind of Alex Garnett buffets us. There is a respect for our lead man, he is the big brother you always secretly yearned for with funny stories and an adoration that may well be unattainable.


Andrew Bain
Self depreciation is one of Alex Garnett's arts and that of Camp comic, not the effeminate kind but that of Hi-De-Hi, even the moustache would at first make you think of Clark Gable but it is Paul Shane that lingers in the mind.

Holmes - Happy chickens and steel-plated cats, Fritz get my coat! The happiness in not being superhuman but just a glorious fallible human, the happiness of the everyday, the happiness of you and me. Andrew Bain and Ross Stanley get you out of bed in the morning more quickly than a short circuiting Breville Teasmade. Tim Armacost is curiosity itself, evoking the spirit of playing in the street (whether imagined or real), fingers in dirty holes, young boy zeal and grubby knees.

Tim Armacost
Wipe away the silly string that Alex Garnett squirts in our eyes with his introductory patter and we see that here is a man of depth and poignancy. Dracula's Lullaby is a good example, it smears the actor's greasepaint to reveal a laid back Christopher Lee, a soporific villain relaxing with whiskey in hand.

You feel part of the bunch, the five swell to include the wider audience and we are all conspirators in the tune Delusions of Grandma. The gangs all here, hear, here she is legs swinging, bingeing, laughing, crying, meowing, one hand, no hands, hand me downs, pass the hammer Jack, on your back Jack. We are the gang to entertain you.

AL.