Showing posts with label Jyotsna Srikanth. Show all posts
Showing posts with label Jyotsna Srikanth. Show all posts

Tuesday, 14 March 2017

International Women's Day - A World in London

Kalia Lyraki

Jyotsna Srikanth
Sara McGuinness
Kalia Lyraki

Date - 8th March 2017
Venue - A World in London, Resonance FM, London, UK


Trail-blazing International Women on this A World In London IWD special!
Click here to listen: https://www.mixcloud.com/…/a-world-in-london-8th-march-2017/
Sara McGuinness

We collected together some of the finest composer/musicians for this show, artists that have toured the globe, played the biggest stages, and created sparkling albums! They also just happen to be women. Jyotsna Srikanth, Sara McGuinness, and Kalia Lyraki also excel as innovators conjuring up new projects & festivals, and as educators in...spiring the next generation of music-makers in Saharawi refugee camps to British/Greek/Cuban/Indian universities. Between them they have raised successful bands like Grupo Lokito, Kalia Lyraki Quartet, and Bangalore Dreams, led teams of merry men, and use their prowess and skills to navigate a way through an industry which is hardly female-friendly – see recent quotes from Madonna and Björk! What does it take to be a musical Wonder-Woman? Listen here for unmissable insights and the brilliant music by Kalia, Sara, and Jyotsna!

Jyotsna Srikanth
8/3/17 – AWIL at Res 117 Online: https://www.mixcloud.com/…/a-world-in-london-8th-march-2017/ Pics by Layla Gatens. Sketches by Alban Low. Production by Sofia Gaetani Morris & Norman Druker. Also this week, Jaswinder Singh shares the latest news about Rizwan-Muazzam Qawwali at SOAS Radio! Next week the Yamato Damashii Drummers from Japan @ SOAS Radio and Alba Cabral’s all-female percussion outfit LET DRUM BEATt @ Resonance.

#AWorldinLondon – IN ITS ELEVENTH YEAR! Live on Wednesdays 6.30pm Resonance 104.4fm www.resonancefm.com & 4pm SOAS Radio mixlr.com/soasradio
#London #IWD2017 #InternationalWomensDay #WomensDay #globalmusic #worldmusic #folkmusic #India #Cuba #Congo #Crete #Greece #UK #music SOAS University of London Dhruv Arts & Cultural Society Women in Music Women in Music SOAS Musicians SOAS Music Department
Srikanth Jnr

Monday, 5 October 2015

Raga Garage - Carnatic strings

Jyotsna Srikanth
The Carnatic Strings are the sinuous threads that tug the heart like miniature campanological hands lurking in the rib cage. Untrue of course, Carnatic is the adjective denoting the main style of classical music in southern India, as distinct from the Hindustani music of the north. These internet pages have never strictly adhered to what is reality and fiction, but lets start with some facts.


Robert Atchison
Four piece Raga Garage performed to a crowd of Carnatic lovers at the Purcell Room on London's Southbank (21/07/2015) in a smear of colour and cascade like an autumnal Hyde Park on a windswept day. Orange, browns and reds aplenty but also that puce that lingers on chapped cheeks were the sentiments and the vision. There was a glistening varnish to the perspiring brows of Jyotsna Srikanth (Carnatic classical violin), Robert Atchison (western classical violin), Shadrach Solomon (piano) and NS Manjunath (percussion).

Robert Atchison is a familiar entry in the sketchbook of this blog, more often than not seated amongst the London Piano Trio, under the high ceiling of St John's Smith Square. Tonight he was the beauty and the glide, the swell, the fall, the wind and more often than not the pace of this quartet. His violin created the broad threads that Jyotsna Srikanth cut through, she pierced him, re-stitched in a complexity that was part mathematics and part patchwork.

NS Manjunath
The violins trod different paths, as you would expect from animals born in separate cultures but they ran together too. Atchison had a squirrelling verve while Srikanth's poetic themes uplifted the spirit and made you want to dash your new found zeal against her rocks.

Away from centre stage and the obvious spotlights was where the percussion of NS Manjunath awaited if you so dared to enter his layer. He laid the road for all three of his fellow musicians, although excitingly it was not all a pathway of granite slabs but tilted and bucked as though situated on the San Andreas fault. More than once he broke it apart and brought it back together again like a cultured navvy who is daydreaming of jigsaw pieces.

Shadrach Solomon
In the obsidian night lurked Shadrach Solomon who was barely visible, he laid his notes of discord, and they were snares for the heart. Once caught, my mouth filled thick with the violin of Jyotsna Srikanth, she was tempting me to choke my doubts away and drink in big cinematic gulps of sweeten air.

AL.

See Robert Atchison perform the Beethoven Cycle with the London Piano Trio during October, November (2015) and January (2016). Details below.