Mark Perry & Duncan Eagles - Album Inspiration

Clockwise from top left -
Duncan Eagles, Max Luthert, Chris Nicholls,
Mark Perry and Sam Leak.

Earlier this month (17/11/2013) Mark Perry and Duncan Eagles launched their long awaited debut album as co-leaders. The pressure was on as this was no run-of-the-mill CD floatation, the venue was the Pizza Express, Soho and it was packed out with London Jazz Festival patrons. The first course had been served in form of the Leo Appleyard Quintet and now they wanted to sate their collective jazz appetites on the succulent main course.



Flip of a Coin

I was lucky enough to be at the conception of Mark Perry and Duncan Eagles baby in Derek Nash's Clowns Pocket Studio and was also entrusted to complete the album's artwork. Alongside the dynamic duo at the Pizza Express we had Sam Leak (piano), Chris Nickolls (drums) and Max Luthert (bass). On the recording day itself the expert flute of Gareth Lockrane was in attendance and the roaming vocal sounds of Ola Onabule were added at a later date.



Barters Band

For this post I'll be writing a little about how we created the final artwork and exhibiting some of the designs that didn't make the cut. At Pizza Express they started with "Flip of a Coin" and that too is what kickstarts the album and my artwork. I try to create a response to each tune and early on this was considered as a possible album title.

Forever

The launch gig followed the album listing but after "Chord Game" we leapfrogged to the buoyant "Barter's Band". This tune is named after legendary South-West London band leader Bob Barter who I subsequently tracked down. Read about it by following the link here. The tune is one of my favourites and this image is a stylised interpretation of the Facebook profile images of Duncan Eagles friends. I can't remember who they all are now but I can see bassists Eric Guy and Holley Gray amongst them.

Remember

The idea for  "Forever" was inspired by the two main protagonist's running banter in the studio. Both unshaven they hurled quips and abuse at each other throughout the session. Perry in particular was thoroughly over excited, so I gave him the big end of the loud-hailer to minimise the effect on the more subtle Eagles.

Road Ahead - Back Cover

"Remember" also offered a rich vein to tap into, and as an artist you are always looking around you for inspiration. In this case I didn't look far. The folds of the studio curtains when semi-closed offered me a slice of outside and a glimpse into a better future. That was the warning sign to get out of the studio and I hit the road. Drawing inspiration from the album's title "Road Ahead" I sketched the most forward thinking icon that was rising up from the streets of London. Look closely and "The Shard" that appears on the back cover also has line markings running down its centre.

The architectural theme, The Shard and tower block stairwell I later sketched encapsulated both the future and the possible descent that can befall a jazz musician. The motif represented the dark edges to the music and by creating a model of the stairs I was able to twist it for real to gain that sense of vertiginous instability.

Road Ahead - Front Cover

The final piece was the figure that emphasises the urban darkness. I blatantly borrowed it from a drawing by fellow artist Peter S Smith, who has mentored me since I was a fledging student. Peter's sketchbook drawings are unnerving personal renderings of his own shadow as he stands waiting for trains. They are both lonely and powerful.

Luckily the Quintet aren't running the gauntlet alone, they have teamed up with the nurturing F-IRE Collective to release this album. You'll be able to buy it in a week or two on Amazon. The reviews have been more than favourable and there are too many to post here but follow the link for the informed Mr Adrian Pallant's view on the matter - REVIEW.

AL.

Sam Leak - Aquarium and Places album inspiration

In the months before the Christmas of 2010 I was contacted by young pianist, Sam Leak, who had recorded his debut album with the shining lights of James Allsopp, Calum Gorlay and Joshua Blackmore under the name Aquarium. It was a heartfelt request from a intense man who was searching for an imagery he couldn't quite put his finger on.

Unused drawing for Aquarium

Without ever meeting face to face you would think we started at a disadvantage, but Sam had other plans. He wrote me an honest letter, detailing a personal voyage of love fulfilled, unrequited and dashed upon the rocks. It was a letter that was so personal that I have never shown it to another person but it was full of depth and tangibility.

Kingston Town centre

The sincerity of the written word is all to rare nowadays, so you can imagine the effect it had on me, and although images came to mind it never felt as if its sentimental load was heavy enough to illustrate Sam's personal journey. After a correspondence and a few false starts, Sam sent me an email with images of empty warehouses, railway stations with slanting shadows and views of pedestrians with backs turned toward the viewer.

View from the elevated platform of
Hampton Wick Station

The photographs were old and grainy, the definition wasn't good, and all were most definitely black and white. Sam wrote, 'Do you see what I see?'........
Well there was nothing to see, perhaps that was the point, these were empty spaces, devoid of real human animation but rampant with the emotional detritus from the human condition. This was the world of the voyeur, which was very apt for an album entitled aquarium.

It was a matter of getting out into the urban spaces where our lives are staged and to experience those scenes where the main protagonist has left...... and the clues of the story remain. Sam was brought up in the Kingston area so that was where I started, trawling trains, sketching madly trying to find a modern 'Brief Encounter'. You see here some of the images that were drawn but never used. Always in black and white, with the grainy grittiness that Sam craved.

Kew Bridge Steam Museum

There was a healthy amount of industrial props on my wanderings, that only emphasised the loneliness that we sometimes feel. Although the drawings are indistinct and 'lost', Sam had already found the concept for his front cover. He wanted the CD face to be a tesseract, which is the four-dimensional analog of the cube. Or simply put, the tesseract is to the cube as the cube is to the square.

Amongst these set of drawings was one of Grosvenor Bridge, which is the rail conduit carrying passengers in and out of Victoria in London. Colour versions have been a popular painting for me but this new charcoal version was very gloomy. In its darkest corner is Battersea Power Station which has become an unlikely icon for Londoners. We decided to shelve the image because of its dimensions. It just wouldn't work on a CD cover, where one was a square format the other was a snaking panorama.

Grovesnor Bridge, Battersea, London

The debut album was released on Babel in 2011 and was well received.

"Multi-faceted and smart as a pin, this is poetic chamber jazz of a very high order" - Ingham, C. (2011, October). Aquarium. MOJO, 215, 96
Buy the album on Babel.

Eventually we met and I sketched him, although it took some time to get his profile just right.
To my surprise earlier this year he contacted me once again, asking if I could create an animation for his tune 'Marrakech' to help launch his new album 'Places' at King's Place.

I was seriously impressed by his latest compositions and wasn't at all surprised that Sam had given me just 10 days to complete the short film in. He often left this sort of thing to the last minute. Unexpectedly though Sam had already sorted the design and artwork for the album on Jellymould Jazz. It required a double take of course, but there was our bridge in confident graphic tones, it was strong and assured just like the album itself.

Once again Sam Leak's music reached out to pleasure critics and audiences alike.

"Leak clearly puts heart and soul into his writing, as well as his playing; the emotion and conviction are there for all to hear" Adrian Pallant, March 17th 2013 - AP Reviews website

 

“A band full of the great heavyweights we have on the young British jazz scene… a beautiful mixture of extraordinary playing… great grooves and extraordinary improvising. I’m a fan of this band.” Jamie Cullum

 

Rumour has it that Sam is embarking upon a PhD in Music Cognition at Cambridge University this year, lets hope this doesn't reduce his presence on the London and UK live music scene. 

He would be sorely missed.

 

AL.