James Patrick Gavin - Fanning the Flames

James Patrick Gavin

James Patrick Gavin - violin
Tad Sargent - bouzouki/guitar

Date - 15th November 2017
Venue - A World In London, Resonance FM, London, UK

Future performance

5th February 2018 - Chewing The Fat album launch, Union Chapel, London.

Tickets HERE

Tad Sargent

Charismatic music maestro James Patrick Gavin on this A World in London!
Click to listen: https://www.mixcloud.com/Resonance/a-world-in-london-15th-november-2017/  

James Gavin and Tad Sargent share much common ground, from Irish roots to Islington’s Holloway Road, and previous appearances on AWIL, but most of all, their outstanding musicianship. It was pure joy to watch James Gavin’s finessed fiddle-playing working in tandem with Tad Sargent’s brilliant bouzouki-guitar in the studio! James has now embarked on his first solo adventure, producing a fantastic CD called Chewing the Fat which is scheduled for release on January 26th. It’s a concept album, centred around the life & times of his grandmother, Philomena, who lives on a remote Irish mountain and has plenty to say. Tracks on Chewing the Fat are equally conversational, taking unexpected twists and turns through weeping violin and furiously fast Irish reels. Our conversation during this AWIL was also unpredictable, covering debates about Folk music from across the British isles to the worrying loss of yet more grassroots music venues in London. ‘You want to be fanning the flames rather than worshipping the ashes’.

Tad Sargent 

15/11/17 – AWIL at Res 144  Online: https://www.mixcloud.com/Resonance/a-world-in-london-15th-november-2017/  Production & pics by Sofia Gaetani-Morris, Norman Druker, Sophie Darling. Also this week Mary Ann Kennedy at SOAS Radio:  https://soasradio.org/music/episodes/a-world-in-london-241-mary-ann-kennedy Next week Latchepen at SOAS!  #AWorldinLondon – IN ITS ELEVENTH YEAR! Live on Wednesdays 6.30pm Resonance 104.4  www.resonancefm.com & 4pm SOAS Radio  mixlr.com/soasradio  
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Tad Sargent and Loïc Bléjean – Fire and Fervour

Tad Sargent

Tad Sargent and Loïc Bléjean

Date - 8th February 2017
Venue - Irish Cultural Centre, Hammersmith, London, UK
Current album  - Tad Sargent and Loïc Bléjean (Market Square, 2017)

Future Performance

21/02/2017: Concert à l’Eglise, St Laurent/Oust, 8:30pm – facebook.com/events/1067132986728352/

22/02/2017: Brittany Winter Shool, Arzon, 9pm –  bws-irl.com/groups

A night of shadows and sparks from two Celtic firebrands in the newly reopened Irish Cultural Centre in Hammersmith, UK. The high ceilinged performance room could have given the air an empty chill but the audience filled out the hollow space and the warmth from the musicians brought colour to the cheeks on this bitter winter evening. The bald headed Bléjean is the smouldering coal in the fire pit, he glowed in the red light, still and pulsating. In contrast Sargent is the spitting spark that erupts from this combustible collaboration, always on his toes, twisting and flickering in the night.

Loïc Bléjean

Tad and Loïc share the same musical passions for the Irish tradition, for innovation, for style and flair and for ‘getting it right’. They met formally, if you like, at a session in Flynn’s Bar in Ealing, west London, in late 2013 and immediately hit it off. Loïc called Tad a few months later, as he was keen on putting a duo together for the festival he runs in his beloved Brittany. There followed stays and rehearsals at Tad’s fabled flat in Barnes, then gigs in France and England, all leading to the two of them opening the show for “The Taming of the Shrew”, the widely and wildly acclaimed 2016 production at Shakespeare’s Globe in London.

And meanwhile, they were making this album…. Recorded at Sylvain Barou’s studio in Brittany, it has Sylvain himself guesting on flute, Jean-Baptist Boclé on keyboards and Ben Somers on double bass and backing vocals, each one highly regarded in his own right. Well, class attracts class!
The album has nine tracks, six sets of tunes in what has become their trademark manner – percussive, driven, with a complexity of rhythm from Tad underscoring the precision and beauty of Loïc’s melodic lines. There is sensitivity too; it is not all fire and fervour and when the tune merits a light and gentle touch, that it receives! Tad adds three songs, “Missing You” (J. MacCarthy), “Dunnes Stores Girl” (J. Spillane) and “Beeswing” (R. Thompson), each with a fitting new arrangement and delivered with his fine vocals.

ArHai - Lets Get Lost

Adrian Lever - Tambura

It is not often I feel lost, or get lost.
With a good sense of direction and hopefully being an observant fellow I am not accustomed to that dead swell in the stomach or the gravity defying sweats that swell the blood in thundering temples.
Is it a good thing to lose oneself?
Well yes is the answer, and I lost everything with ArHai at Rich Mix last Saturday (04/05/2013).

A master of London's transport network, working the buses, tube and trains to my advantage I arrived in good spirits and of stable mind. Alert and darting, my gaze absorbed the clues I would need for the rest of the evening and to help write this of course. I searched for traces of the two protagonists, Adrian Lever & Jovana Backovic and the stage revealed plenty of leads amongst which sat a tambura, dulcimer, keyboard, electronic boxes and a bodhran secreted in the shadows.

Sebastian Merrick

I was welcomed in the pit of the venue by Sebastian Merrick, tonight's promoter. His easy smile settled me but I was eager for more information and was disarmed when he said, "I'm not totally sure what to expect myself tonight, I've been burning the candle at both ends with other projects and rather left this performance to evolve itself."
I suspect this wasn't quite true because as the atmosphere gently bubbled he leapt onto the stage to introduce the support.

Gokce Kiliner

Gokce Kiliner is one cool cat. Playing the guitar and languidly introducing her tunes, she never once broke sweat. Her playing was of the plodding unnerving kind, the slow strums felt like footsteps on an empty road. More than once I felt a chill of Lynchian delight as Rich Mix's red and green lights reminded me of my lonely late night retreats from music venues, crossing intersections, accompanied only by the winking of silent traffic signals.



Jovana Backovic

Kiliner's set revealed nothing of what was to come so I asked the DJ, Vince Millett from 'The Secret Archive of the Vatican'. Now this man should know some secrets, no one has kiss-and-told on this most covert of organisations. Unfortunately as he pressed his mouth to my ear the main act ArHai immerged.

Adrian Lever is unusual for a public performer, a tall slim introverted figure he most resembles a heron, planted in his spot with occasion movement from one leg to another. He exudes calmness and is devoid of aggression or machismo. His right hand on the Tambura is quite the opposite, frantically grating an imaginary coleslaw, the tone of the instrument is light and steely. Accomplished like a master acupuncturist, you flinch as his needling notes assail your ears only to find you're achieving a new state of ethereal being.

Tad Sargent - Bodhran

In contrast Jovana Backovic's voice has the best qualities of a darkened room on a summer's day, soothing and disorientating. In a long red robe with sleeves that stretched to her knees I was transported to Mongo, where Ming The Merciless' daughter Princess Aura weaved a heady mix of beauty and magic over me.

Despite a long association with Jazz and my recent 6 month residency at folk venue Twickfolk I was totally out of my depth. As the tunes washed over us all in the dark depths of Rich Mix, I found myself more and more lost. Whether this was a totally positive experience I am not sure, all I know it was a powerful one!

Tom Arthurs - Trumpet

We were given a lifeline of percussion when Lever and Backovic introduced their first guest, Tad Sargent, who rescued us from the effective but dripping projected visuals. It resulted in some clarity for this album launch, their interpretation of 'Beneath the Tree' became a focal point on what was a beautiful yet intangible landscape.

It only got better with the addition and swell of Tom Arthurs on trumpet and we were treated to a strong determined finale to tonight's proceedings. Despite a little indecision amongst the quartet, Arthurs helped steer us homeward and for me personally into a more familiar and beautiful territory.

Only after getting lost can you appreciate both the length of your unshackling and the path you have taken.
If in Ralph Waldo Emerson's words “Life is a journey, not a destination.”

Then Life had blindfolded me, spun me around several times and hand in hand we have walked deep into the Balkan sunset.

AL.