Mike DiRubbo - London touchdown

Mike DiRubbo - Alto saxophone

Earlier this month Mike DiRubbo touched down upon these shores with a short exploratory tour. It was his first experience of London and a great opportunity to hear more from this Rising Star (Downbeat alto saxophone poll 2013) of New York City's jazz scene. I had the pleasure of meeting Mike when I had my first New York art exhibition along 14th street in 2011. As I was alone in the Manhattan he took me under his wing, and introduced me to many of New York's hot spots.

Kelvin Christiane -
Tenor Saxophone

Although he started at London's Jazz HQ, Ronnie Scotts, it wasn't until jetlag was dispelled and he had negotiated the intricacies of our public transport system that he really hit his straps. Two nights later (07/11/2013) we experienced the best of Mike DiRubbo along with Bill Mudge's Trio at the Twickenham Jazz Club. Rich in Italian heritage and dark looks his honeyed American drawl created a stir amongst the packed suburban crowd.

DiRubbo is a fluid player that needs to be teased into his most powerful performances and here at Twickenham Jazz Club he found an atmosphere that obviously suited him. It is a warm venue and the audience was bolstered by the Wembley wing of the DiRubbo azzurri. As we launched into "Skips Blues" I worked hard to capture the smokey eyes of our headliner, he is not a dominating frontman, but does take centre stage for long periods, taking us on extended expeditions into his compositions.

Rob Gray & Lister Park -
TJC Dudes

Bill Mudge as usual lurked in the gloom, he shirks the spotlight but I think he might have taken it too far as he peered intensely at the charts in the dark. I had not sketched him since May 2013 and he now sported a fuzzy winter beard like an arctic ferret, his beady eyes darting furiously. Third tune "Stellar by Starlight" just about summed up his predicament but it didn't set him back. By the fourth tune "Lilt" he was less Weasel more Sable, and his pelt shone with a soft shine of perspiration.

Matt Fishwick - Drums

Matt Fishwick had started the DiRubbo tour at Ronnie Scotts but it is hard to ascertain if he was up to speed or not. He is the steadiest of individuals, barely changing pace, his rosey cheeks might go from Amaranth to Crimson and his lips become a little wetter when really in the groove. He was the perfect foil for his American leader with his dead pan demeanour.

Peter S Smith & Dom Starkie

Kelvin Christiane enlivened the front of stage dynamics with a frisson between tenor and alto. The Twickenham crowd know and love him which provided a shot in the arm for regulars Rob Gray and Lister Park. In contrast none of us were familiar with Joe Downard on bass, and we did not know what to expect. Well, he was thrilling, skilful and immediately made an impression upon the regulars. In demeanour he hides behind a flick George Michael (circa 1980s) would be proud off and has a lean cheeked physique that is de rigueur amongst early career Londoners. As you know I am a jazz twitcher and try to identify a player's 'trigger', the movement or idiosyncrasy when they are totally in the zone. Downard's is his mouth, with an expressive tongue which pops out like the Whac-a-mole game in its rapidity and frequency.

Joe Downard - Bass

The tune of the night was seconder setter "Throwback" where Mike DiRubbo stretched clear, sweeping up the audience, tapping away with fingers, toes and heartbeats. Both Bill Mudge and Joe Downard excelled, the latter with hair flopping, drew his hirsute curtains and undressed an emotive solo which exposed the best in DiRubbo's composition.

We will be hearing more of Mike DiRubbo's writing in the coming months with a crowd-funding campaign in full swing, he'll be recording a new album in the New Year.
Check it out here. Until then we still had him at the heart of the UK's jazz scene for another week and it seemed the Twickenham crowd had given him the sort of welcome he deserved, generous and enthusiastic.

AL.

Partikel - Max Luthert's new hues

Max Luthert - Bass

The ever emerging pimped-up Robin Reliant of Jazz, Partikel, are adding a touch of class to their repertoire this year. The previous six years have seen this trio tighten the nuts on their lean machine, taking no prisoners in what continues to be a vibrant London Jazz scene. At its centre, on the banks of the River Thames last Friday (7/6/2013), we saw Partikel take to the Southbank's Foyer stage with new material and a special guest to boot.

Duncan Eagles -
Saxophone

With a second album 'Cohesion' well under their belts and with a new recording on the horizon, the trio are starting to play around with more ideas, sounds and evocative imagery. Led as always by their charismatic front man Duncan Eagles, this group have always been comfortable with and within each others company. Now it seems they are breaking through this comfort zone and treading on each other's musical toes. Eagles continues to be the driving force though, he is a man that exhibits a steely ambition and bravery in composition and performance.

Eric Ford - Drums

Max Luthert on Bass has arrived at the metaphoric party at last. Although his playing has never hidden in the shadows, you now begin to feel his influence more and more, through his writing (Assam) and his superb playing on tunes like 'Market Place'. It is no surprise that he is back on form since the cast on his left wrist (that plagued him for the past year) has now been jettisoned. The afore mentioned 'Market Place' gives Luthert the space to express himself and he has never sounded better, his satisfying bass lines were deeply rich and true. The last tune of the evening, 'The Optimist' allowed Luthert to take control and the discerning audience were swept up in the summer breeze of this floating composition.

We felt breathless.

New compositions rang true too. 'Midnight Mass' created a hollow yet strangely tangible sense of space. Eagles cast out his melodies against distant shores and they rebounded with eerie sentiment. Here was a dark beauty that was totally at odds with this lazy summer evening.

Shirley Smart - Cello

Eric Ford was unleashed on 'Clash of the Clans', a tune that accelerated, then slammed its foot on the break in quick succession. You felt as though your safety was being challenged by Ford, like you were only a wheel's width from dropping into the precipice on a winding cliff top drive.

The addition of Shirley Smart on cello created a stir amongst Partikel devotees as she took to the stage at the start of the second set. With Smart they performed with a new voice on 'Shimmer', with a lightness, a playfulness that Eagles, Luthert and Ford have never had when playing alone. The cello gives the melodies of Eagles saxophone an ally and together they swell to greater heights. The quartet followed up with a version of 'Body and Soul' that had an almost Parisienne flavour.

Max Luthert by
Peter S Smith

The collaboration with Shirley Smart has made me look at Partikel in a new light and it was only fitting that I was joined by artist Peter S Smith this evening. He had invited me to the Royal Academy Summer Exhibition where he has had two prints accepted (and a healthy number of red dots on his work). It is always fascinating to have another artist draw alongside you, as they see the same scene differently (He has kindly let me reproduce his sketch here).

Where my drawings explore line and movement, Peter's create depth and emotion and we have learnt from one another over years just like the musicians we saw before us, though unlike them we shall never paint on the same canvas. I can foresee that Partikel and Smart have a bright future ahead of them with new hues and broad brushstrokes to add to their already impressive triptych.

AL.

See them next at the TW12 Jazz Festival in Hampton Hill on July 21st.
Link here.