Showing posts with label Pizza Express. Show all posts
Showing posts with label Pizza Express. Show all posts

Wednesday, 16 October 2019

Georgia Mancio - Hang 2019

Georgia Mancio

Robert Mitchell (piano/poetry)
Shirley Smart (cello)
Rick Simpson (piano) 
Kim Macari (trumpet/spoken word)
Georgia Mancio (voice) 
Tom Cawley (piano)

9th October 2019

Kim Macari 
Storytelling, soul and compassion was at the beating heart of award-winning vocalist Georgia Mancio’s 3rd Hang this year at Pizza Express. She presented a collection of collaborations that illuminated the art of the lyrical, both in writing and music.

Shirley Smart
For an excellent insight into this year Hang please read Sebastian Scotney's review at https://londonjazznews.com/2019/10/10/where-we-once-belonged-georgia-mancios-2019-hang-at-pizza-express/

A group of multi-faceted artists shared stories, songs and music of their heritage, in reflection of and response to our current times. The night started with Rick Simpson alongside Kim Macari who wove spoken word with improvised solo trumpet in evocative soundscapes, exploring her roots as a Scottish woman. It brought a tearful response from the audience, with one well-known jazz promoter visibly shaken by the depth of feeling.

Robert Mitchell
Pianist/composer Robert Mitchell (True Think, Alicia Olatuja) presented a poetic response to the Windrush scandal in the pin-drop moment of the evening (himself a child of the Generation) with Shirley Smart on cello (Avishai Cohen, Yasmin Levy).

Tom Cawley
The night culminated with a beautiful set by vocalist Georgia Mancio (Alan Broadbent, Liane Carroll) as she leafed through her intriguing family scrapbook from Europe and beyond. With songs co-written with pianist Tom Cawley (Peter Gabriel, Catenaccio) it was an uplifting end to another successful Hang concert. 

Peter Freeman
A special note to the jazz community who came out in force to support Georgia Mancio. Across the tables at Pizza Express it was a Who's Who of the UK scene. Alongside the pubic and jazz musicians was jazz face and serial gig aficionado Peter Freeman.
Rick Simpson


Wednesday, 17 October 2018

Georgia Mancio - Hang 2018

Georgia Mancio
Hang 2018
with
Nikki Iles - piano
Alina Bzhezhinska -harp
Tom Cawley - piano
10th October 2018
Pizza Express Soho, London, UK

Tom Cawley
Award-winning vocalist, lyricist and producer, Georgia Mancio, returned with her second Hang – a series of stunning bespoke collaborations and new writing featuring the cream of the UK’s jazz, latin and improvised music scenes in one of Europe’s most iconic venues.

From last year’s landmark recording, Songbook, with co-writer Alan Broadbent and their subsequent performances in Europe and the US (including Ronnie Scott’s and Rochester International Jazz Festival, NY) to her iconic  ReVoice! Festival, work with luminaries Ian Shaw, Liane Carroll, Bobby McFerrin and Kate Williams, to nominations in the Urban Music, Parliamentary and British Jazz Awards, Georgia is an artist of boundless creativity and dedication in constant evolution. 

Alina Bzhezhinska
2018 is also Georgia’s 18th anniversary as a professional musician. To mark this joyous coming of age she crafted 4 unique shows.

A celebration of female writers with pianist/composer Nikki Iles, a homage to vocalist/songwriter Abbey Lincoln with harpist Alina Bzhezhinska and fascinating character studies in new songs co-written with pianist/composer Tom Cawley.
Nikki Iles


Monday, 11 January 2016

New York Standards Quartet - London Jazz Festival

Tim Armacost
New York Standards Quartet
Tim Armacost – saxophones
David Berkman – piano
Michael Janisch – double bass
Gene Jackson – drums

Date - 22nd November 2015
Venue - Pizza Express Soho, London
Current Album - Power of 10 (Whirlwind Recordings)

Michael Janisch
NYSQ's latest recording, Power of 10 is their second release for Whirlwind and a tribute to their ten years of performing together. The band came together when three of New York’s busiest jazz players noticed they had one thing in common: Japan. Tim Armacost is a grammy nominated tenor saxophonist who has performed with Kenny Barron, Bob Hurst and Ray Drummond among many others, and is the group’s founder. He had lived in Tokyo several times and performed there for years. Gene Jackson, a drumming powerhouse well-known from his nine years in the Herbie Hancock trio as well as his performances with Dave Holland, the Mingus Band and Wayne Shorter, had recently married a Japanese woman and was splitting his time between New York and Tokyo. David Berkman, a fiery pianist who is both rooted in the jazz tradition and a harmonically adventurous improviser and composer, is a 30+ year NYC veteran of many bands including Tom Harrell, The Vanguard Orchestra and countless others. Berkman, also married to a Japanese woman, was traveling to Japan with increasing frequency.

Gene Jackson
Of course, it turns out they had a lot more in common than a love of Japanese culture. They had an approach to playing standards honed by their years on the NY Jazz scene, leading their own bands of original music and playing with jazz legends. Berkman, who writes much of the band’s repertoire, has a distinctive flair for re-casting well-known jazz standards in new and unexpected settings. ​On Power of 10, ​ Songs like “Deep High Wide Sky” and “Hidden Fondness” are melodies based on the chord progressions of “How Deep is the Ocean” and a reharmonized, “Secret Love”. In the band’s hands, his arrangement of the well worn standard “All of Me” becomes a daring, harmonically tense vehicle for Armacost’s mighty soprano playing and Jackson’s powerful drumming. Armacost’s arrangement of “Lush Life” brings a new perspective to this classic Strayhorn ballad and his "Green Doll’s Phone” is a playful treatment of “On Green Dolphin Street” written to showcase the brilliant technical prowess of bassist Michael Janisch who joined them for this recording. Gene Jackson, the band’s rhythmic center who drives the music forward with fire and infectious good spirits, is much in evidence throughout the session and contributes his arrangement of Elvin Jones’ “Three Card Molly.”

David Berkman
What began as a happy coincidence of three friends in a foreign land has grown into a mature collective that is more than the sum of its impressive parts. The band has toured extensively in Japan, the U.K., around Europe and the United States for ​t​en​ years. These days, that is an extremely rare accomplishment in the jazz world, where economic pressures work against band longevity. The close connection between the members is evident throughout this recording: an idea starts with one player and is picked up and developed by another​ ​risk taking and improvisation abound, but there’s a sense of warmth, enjoyment and shared purpose that permeates all of these performances.
This has become the hallmark of this group’s playing: an easy rapport with one another developed through ten years of playing together and interpreting jazz classics in a highly engaging and personal way. The audience response has been phenomenal, in part because they give the listener something familiar to grab on to, before throwing in the bends and quirks that NYSQ has become known for, creating modern shapes and visions of these well-known ​songs​. Or to quote John Fordham ​from The Guardian ​in his rave review ​from a recent UK tour:

“Deep High Wide Sky sounds like the Lee Konitz classic Subconscious-Lee, and Doll’s Phone Cause is a similarly byzantine bopper, driven hard by Janisch’s bass-walk. All of Me has an inventively reworked harmony and fresh rhythmic edge, an ominous Lush Life finds Armacost and Berkman reacting smartly to each other, and Hidden Fondness remoulds Secret Love as a vehicle for the gleeful collective energies of all four.”

As a thank you Whirlwind are  offering 30% off everything on their site from today until January 28th 2016.  Simply add the code JANUARY2016 on the Checkout page (there's a space provided that says 'enter coupon code') and your purchase price will be reduced by 30%. This discount applies on all site products: CDs, digital albums and individual tracks.

Tuesday, 29 December 2015

Alex Garnett Bunch of Five

Alex Garnett
Alex Garnett Bunch of Five
Alex Garnett – tenor sax & compositions
Tim Armacost – tenor sax
Ross Stanley – piano
Michael Janisch – double bass
Andrew Bain – drums

Michael Janisch

Date - 22nd November 2015
Venue - Pizza Express Jazz Club, Dean St, Soho, London, UK.
Current Album - Andromeda (Whirlwind Recordings)

Ross Stanley
Hear him playing - Alex can be found in the depths of Soho at Ronnie Scott’s every Monday and Tuesday night for his weekly late-late show residency, when not on the road.

Raconteur Alex Garnett with his trim London/NYC five piece punch-in at the London Jazz Festival 2015.

Roundabouts and swings, never Fragonard nor My Fair Lady but those grubby shiny seats we love so dearly on this grimy isle. Wiping the dew, rain or damp off with a sleeve as the very British wind of Alex Garnett buffets us. There is a respect for our lead man, he is the big brother you always secretly yearned for with funny stories and an adoration that may well be unattainable.


Andrew Bain
Self depreciation is one of Alex Garnett's arts and that of Camp comic, not the effeminate kind but that of Hi-De-Hi, even the moustache would at first make you think of Clark Gable but it is Paul Shane that lingers in the mind.

Holmes - Happy chickens and steel-plated cats, Fritz get my coat! The happiness in not being superhuman but just a glorious fallible human, the happiness of the everyday, the happiness of you and me. Andrew Bain and Ross Stanley get you out of bed in the morning more quickly than a short circuiting Breville Teasmade. Tim Armacost is curiosity itself, evoking the spirit of playing in the street (whether imagined or real), fingers in dirty holes, young boy zeal and grubby knees.

Tim Armacost
Wipe away the silly string that Alex Garnett squirts in our eyes with his introductory patter and we see that here is a man of depth and poignancy. Dracula's Lullaby is a good example, it smears the actor's greasepaint to reveal a laid back Christopher Lee, a soporific villain relaxing with whiskey in hand.

You feel part of the bunch, the five swell to include the wider audience and we are all conspirators in the tune Delusions of Grandma. The gangs all here, hear, here she is legs swinging, bingeing, laughing, crying, meowing, one hand, no hands, hand me downs, pass the hammer Jack, on your back Jack. We are the gang to entertain you.

AL.

Thursday, 17 December 2015

Urchin - London Jazz Festival 2015

Leo Appleyard
Urchin
Agne Motie - Vocals/Lyrics
Leo Appleyard - Guitar/Songs
Duncan Eagles - Soprano Sax
Piers Green - Alto Sax
Hoagy Plastow - Tenor Sax
Paul Jordanous - Keys
Holley Gray - Bass
Chris Nickolls - Drums

Duncan Eagles
Date - 18th November 2015
Venue - Pizza Express Jazz Club, Dean St, Soho, London, UK.

Urchin on Youtube - Show Me Love

See them next at -
29.01.16 - Hootananny // Brixton // 10pm
26.02.16 - Dead Or Alive @ The Comedy // Leicester Square
10.04.16 - Omnibus // Clapham // 8pm

Chris Nickolls
Embryonic 8 piece from South London showcase their burgeoning repertoire of Jazz, EDM, DnB, Cinematic, Dance and House influenced tunes at the London Jazz Festival 2015.

Wet with dewy ideas Urchin have recently emerged from a birth by a thousand nights. A group like this, however youthful, have already cut their teeth individually on London's live music circuit. They would have probably played more than a thousand nights each in their brief careers and therefore Urchin is an apt name, they are a rag tag but charming bunch.

Holley Gray
It would be easy to cast Urchin as the mischievous group of children in Oliver Twist as they are adept at pickpocketing and assimilating musical genres into their repertoire. Although Leo Appleyard would be cast as their Fagin, he neither represents his villainous traits nor craggy looks. In fact Appleyard retains a fresh faced visage and an admirable sunny disposition despite having to corral his 7 fellow protagonists.

Paul Jordanous
On keyboard is a man who simultaneously channels the spirit of  Bill Sikes and The Artful Dogder in one fell swoop. Paul Jordanous is manly like Sikes, butch perhaps in physique while retaining his Everyman appeal, his boyish twinkle and his 'street' hoody attire cast him as a modern day Dodger.

Agne Motie
Our female lead is Agne Motie whose appearance and reputation couldn't be further from the original manifestation of the plump prostitute Nancy. Motie's vocals were entrenched comfortably in the music of the band of brothers that surrounded her. She never soared above nor alighted on a branch to delicately showcase her wares, she was one of the boys in spirit but never in Y chromosome nor front.

Hoagy Plastow
Leo Appleyard's self penned 'Sketches' was a tune to believe in, with light holiday perks from the tenor saxophone of Hoagy Plastow and tin cut snips from Appleyard's guitar. The swell about Urchin has started despite their relatively recent arrival on the scene. They have a desire to find their own path without banging the earnest drum of experimentalism nor the shock of the new. After this first helping of Urchin I hold my bowl up to them and ask, Please Sir, I want some more.

AL.


Piers Green







Friday, 11 December 2015

Toy Rokit - London Jazz Festival 2015

Bill Mudge
Toy Rokit
Mark Rose - Bass
Bill Mudge - Keys
Chris Nickolls - Drums

Date - 18th November 2015
Venue - Pizza Express Jazz Club, Dean St, Soho, London, UK.

Current Album - Mission 6 featuring Mike Outram.

Mark Rose
Toy Rokit spark their improvised dynamos on the Pizza Express stage for the London Jazz Festival 2015.

Burring movement from the underground cockpit left eyes resting on the central figure of Mark Rose. Bill Mudge gave us his profile never both eyes, while Chris Nickolls dipped his head in a crisis of self confidence. Rose was the Admiral Ackbar of our scene, his music represented the Admiral's immortal lines 'It's a trap' for that was what lay before us. Hidden under the fallen leaves there were nightmarish pits for those who love to categorise and plant definitions on music, especially Jazz.

Deep bellyaching wounds were Mark Roses musical call, it had a filthiness like mechanical porn. Chris Nicholls has a freedom in this trio format, he cackled and swarmed as if a party of cavorting of locusts, he was lighter than initially expected, his fine tipped wings rubbing against a brittle exoskeleton.

Chris Nickolls
Bill Mudge was an X-ray specs shooter, sending his green and red laser lines into the darkness of the Pizza Express. At certain times it was hard to decide which musician made each noise, such was the overlap and distortion of original sounds.

Ground control samples played us, the audience, as the voyeurs of Merritt Island. The pensive Gene Kranz figure of pianist George Bone sat a few feet away from me. Mudge's keyboard protégé Paul Jordanous a few feet more. Bill Mudge cannot be caught in one mere historical epoch, he is the Captain Kirk of the mission, beaming in and out of centuries; past and future. His Spinet diversions created pin pricks in the skull as though ours heads had become miniature planetariums. As much as this describes a delicate sophistication, Mudge also regularly cleaned out his waste pipe, always for the briefest moment but enough to get us dirty.

George Bone
Toy Rokit buck the trend of many on the jazz scene where dexterity and speed are the macho bragging fist with which to thump your audience with. Toy Rokit were like one of those animated gifs that patrol the internet. Vangelis caught on a hamster wheel, it was impossible to look away.

Thursday, 19 June 2014

Clement Regert - Wild Card

Clement Regert - guitar
Being embedded in London's Jazz circuit you get to hear about many of the musicians way before you ever get a chance to listen to them live. One such name is Clement Regert who has forged ahead with his Wild Card trio alongside Andy Noble (organ) and Sophie Alloway (drums). Since arriving in England in 2005 he has steadily made a name for himself amongst our Jazz elite and it is no surprise that he called upon such talented musicians as Dennis Rollins, Graeme Flowers and Pedro Segundo for this gig at Soho's Pizza Express (12/06/2014).

The usual balance of young professionals and adventurous tourists had been upset by the first night of the World Cup finals. Many of London's white collar community had fled to the suburbs and we were left with a smattering of couples with eyes only for one another and a melting pot of nationalities hell bent on boosting the trade in union jack hats and Oxford Street bargains.


Andy Noble - organ
Those that chose to stay at home and be dazzled by Brazil's yellow strip soon realised that all that glitters is not gold. Clement Regert's Wild Card kicked off with the finest of Brazilian exports by comparision. 'Canto de Xango' by Baden Powell de Aquino gives you not only compassion, but dexterity and most of all intellect, a quality not always associated with his fellow footballing countrymen. Regert gave us his own brand of Baden Powell, one which was brassy, turning Powell's usually dainty footsteps into deep and confident grooves.


Pedro Segundo - Percussion
'Sweet Smoke' choked off any more thoughts of round balls full of hot air. It was an early view of tonight's most impressive performers, Andy Noble and Pedro Segundo (percussion). Noble is another import to London's jazz family, from Australian stock originally. Our statuesque man on keys climbed even higher with his deep pulsing work on 'Place du Tertre', which is the square on Montmatre and the home to a small army of caricaturists. I do not need to exaggerate any of Noble's vital statistics in picture nor words.


Lowly Worm
Both artist and audience alike needed their night vision goggles to spot the olive skinned dreamboat Pedro Segundo in the Pizza Express' darkest recesses. Compositionally he was perfectly balanced by the fair complexion and white shirt of Sophie Alloway to his right. Together they looked like the King and Queen of a jumbled up chess set. Segundo provided much of the night's texture and his subtle solos were worth pricking up the ears for, especially on Kenny Barron's 'Sunshower'.


Sophie Alloway - Drums
The Latin themes that were carried so successfully by Noble and Segundo brought out the best in Clement Regert too. His lithe sleek frame wiggled and swayed to the infectious rhythms. With his trademark hat atop his head and hips swaying he resembled the iconic Lowly Worm of Richard Scarry fame. It wasn't all upbeat finger popping and Regert's intelligence came to the fore on his version of 'Feelin' Good'. He has a tendency to chew the melody with a dancing jaw and here because of the tune's slow pace he resembled a Spaghetti Western villain not unlike a French Lee Van Cleef.

Dennis Rollins - Trombone
Much of the evening's joy was reserved for the twin barrels of brass from Graeme Flowers (trumpet) and Dennis Rollins (Trombone). 'You are Amazing", a Regert penned tune, rubbed both organ and guitar together with a verve like two ancient Greeks oiling themselves. The tune's hero was Graeme Flowers, who gave us the glory. A real modern day Achilles. Sophie Alloway was above such manly macho camaraderie being the "Goddess of Groove" as Jazzwise's Jon Newey describes her.

Graeme Flowers - Trumpet
I hate to break the bad news that Alloway and the rest of Wild Card are indeed mortals. On the upside it means they are easier to track down. See them next week, Thursday 26th June at The Plough, not the big dipping variety but the pub in Ealing, which is much easier to get too.

AL.









Wednesday, 13 March 2013

Michael Janisch - The Whirlwind hours

Michael Janisch - Bass and Boss
"'Tis now the very witching time of night"
the young man next to me said. I knew his face, he was not the over dramatic kind, but right now he was serious. This would be a contest, a reckoning, not physical in the pitbull kind but a battle of nerve for each performer.
In the den of the Pizza Express, Soho (08/03/2013) all the empty tables were slowly occupied by the guns-for-hire. They checked each other out with furtive glances and if they recognised each other, they acknowledged the fact in muted greetings.

The man they all wanted to impress held the microphone and introduced himself as Michael Janisch. Just like many a leader this man had charisma and that fervent edge that means he is always one step ahead of the pack. This was going to be the first night of many he explained, a chance for collaboration and expression every Friday night from 11am to 3am at Pizza Express......
and the reason why all the jazz mercenaries present wanted to be part of Janisch's gang?
In 18 months he has attracted a skilful and cutting edge group of players to his South London stable. They are creating exciting and ground breaking music that is casting waves of improvised sounds around the globe.


Phil Robson - Guitar
Musicians nervously tested the valves of their trumpets and over-worked hearts knowing if they impressed.... then Janisch's appraising eyes would be on them. The basement at Pizza Express very much resembled a western saloon too, with the late opening and free entry there were groups of inebriated hired-hands, releasing the acrid stress that comes from being under London's cosh all week. Not much drink was spilled though as the tension was lanced with the quartet's opening tune.

Zhenya Strigalev - Sax
They all looked nervous on stage. This was the start of a new era and the Whirlwind Hours were starting to tick. Only History will judge if this late night hangout will be a breeding ground for talent. The 'Man in Black' was Phil Robson, his back pressed against the piano, he had no where to run so he played for his life. Zhenya Strigalev  tilted back his head and played his saxophone like a circus performer swallowing his sword, his Lee Van Cleef eyes unnerving us as he scanned the room through those meagre slits. Gene Calderazzo was very much the urban cowboy with dark wooly and white specs on drums.

Gene Calderazzo - drums
The night developed with musicians taking their shot and having fun too. Lets not forget that the chance to play with the best is a kick of adrenaline for us all. Notable participants were Partikel's Duncan Eagles and Jeff Williams who played Monk's Rhythm a Ning and Jerome Kern's I'm old fashioned.
There's nothing old-hat about these regular Friday nights so give it a go, whether performer of listener alike.
All the details are here.
Duncan Eagles - Sax

Over the coming weeks I'll be sketching on a regular basis and busy preparing for an exhibition at Whirlwind Recordings Festival, Kings Place in October 2013. Where you will get a chance to see these paintings and the musicians performing too.

I didn't make it to the 3am close because I had a 9.5 mile walk awaiting me the next morning to help launch my second book Patternotion. I knew though that the Whirlwind hour will strike once more in Soho and that the jazzslingers will be back in town.

I'll be there when the bell tolls.

AL.

Ben Castle and Will-o-Wisp

Ben Castle - Saxophone
I just had to close my eyes after 90 minutes of Ben Castle and Makoto Kuirya's set at Pizza Express last Friday (08/03/2013). The last hour and a half had been a frenzied scribble of scratches, sweeps and dots. The music had captured my soul and replaced it with an overflowing voltaic pile of Jackson Pollock energy.

I had a wonderful view courtesy of my hosts Mike and Gail Watts, who had bagged a central table. They had discovered Castle at Nottingham's Splendour Festival, he was dressed as a matador and playing with the idiosyncratic Duke Special so they did not know quite what to expect. It is true, even in more conformist attire, he is hard to categorise as a player and person. I suspect he does not know himself, he is an excellent player and is probably having the time of his life playing and exploring the boundaries of his musical playground.
Makoto Kuriya - piano



He is modest and easy going, deliberately stepping out of the limelight during the performance to support others. I'm sure his generosity encourages advice from all quarters, to play this, try that, jam with me and change your style. His foundations run deep though (he was anchored by his father's sax in hand), and his strong grounding allows him to express and explore without restraint. Who else could slip a Minogue melody into proceeding while wearing his Mountie striped trousers with such dead-pan cheek. The future changes from day to day for Ben Castle, the next day was a visit to the Maida Vale studios with his piccolo and then further afield to finish an album project of Pop tunes in a 30's jazz style with two other singers.

What had brought me to a state of near exhaustion was Makoto Kuriya on piano. He was an untamed ethereal force whose speed and execution was hard to mirror with my pad and pen. His lightweight frame bounced in and out of his chair, frequently his left hand kicked back like he was a rodeo star bucked by the piano's ferocity. His mouth was continually animated, it bit, chattered and snapped at imaginary 'amuse-bouche' that floated in front of his starving eyes. Even without sketchbook in hand it was hard to keep up.

 I watched the charming lady (Sarah Hadland) opposite me, as her eyes darted in hypnotic spirals. I asked her at the interval what she thought of the performance, "I'm desperate to see what's on his chart. I can't believe there's any notes written down at all. He's so free, physical and dynamic, like the flow is more important than the direction".
Understandably he is a hard man to capture and remains a will-o'-the-wisp type player that will take many viewings to trap in my artistic jam jar.

Arnie Somogyi - bass
MK's compositions were not my favourites of the evening though. That dubious honour goes to Arnie Somogyi and his tune 'JJ' which starts with a throbbing bass line and flows beautiful into lyrical swing.

I had a particularly bad view of drummer Bence Bolygo but could hear he was travelling at a good mph, there was no chance of any Salford traffic warden giving him a parking fine for nodding-off.
Bence Bolygo


Now it might look like I was falling asleep in the last 30 minutes but my body had taken an assault to its senses. The pure speed of Kuriya's playing had rendered my sketching hand exhausted and useless. Sometimes you've just got to give in to the music and listen. Shutting down all other senses....and....listen.

Still listening.....

AL

Me listening
Photo Mike Watts