Showing posts with label Stuart Rook. Show all posts
Showing posts with label Stuart Rook. Show all posts

Thursday, 2 June 2016

Lux Lisbon - Scala

Tom Cooper
Lux Lisbon
Stuart Rook - Vocals
Charlotte Austen – Vocals, Bass
Tom Cooper - Guitar, Vocals
Jamie Shaw - Drums



Stuart Rook
Date - 21st April 2016
Venue - Scala, London

Current release - Get Some Scars EP

Lux Lisbon are a English 4-piece who do harmony laden indiepoprock songs made with tag-team-boy-girl vocals, under the influence of Dog is Dead, Fleetwood Mac, Bruce Springsteen, Bloc Party, Simon and Garfunkel, Billy Bragg, Florence and Manics lyrics.
Charlotte Austen

They are a 100% DIY proposition, no label, manager, booking agent, publicist, or outside funding - *absolutely everything* is all handled by singer/songwriter Stuart Rook and a laptop.

The sketches below are from the 21st April 2016 when Lux Lisbon became the first 100% DIY band to sell out London Scala in advance - this following on from an exciting 2015, in which they sold out London Bush Hall in June, and 3 sold out nights at London Lexington earlier in the year.


Jamie Shaw
Lux Lisbon never fail to embrace us in their ethos. As we enter from London's abrasions they crunch underfoot the weary apathy that trails behind us. Pulp Pulp. A survival pulse that prepares us for the climb ahead. It is a see-saw night, more soar. We do not want to glide on their music though, part of the charm is in the wrestling, the haze and craze, the fug of 'live' nights like these.

AL.








Monday, 27 October 2014

Lux Lisbon - Keeping Me Wild

Stuart Rook - Lux Lisbon
When that initial rush of a new wine touches your tongue you always hope that the subsequent bottle will be as good, if not better, as the first taste. This time last year I caught a couple of tunes from Lux Lisbon at the Queen of Hoxton during a charity concert. The splash that rolled around my musical glass that night was aggressive and refreshing. Luckily what I experienced at The Lexington earlier this month (17/10/2014) was more of the same, in fact, it had improved with age.

Charlotte Austen
Like the Careless Sons, who preceded them onstage, this sold out gig at The Lexington, London was the last of a compact tour. Their 'Memento Mori’ dates took them to Newcastle, Cambridge, Manchester and Nottingham and had warmed this highly original fivesome to a perfect heat for our pleasure.

I cannot commend enough both the group's creativity and their ability to effortless cross genres. The sweep of their themes and the passion behind them was captivating. To be both original and entertaining is a heady mix that one doesn't see at many concerts. This broadening of creative perspectives was only pulled further apart with their use of projected imagery. Many of us, including myself, play with music and film. Experience tells you that it is difficult card to play.


Jamie Shaw
To describe Charlotte Austen as the jewel in Lux Lisbon's crown would be to discredit her as merely a bauble. She is more integral than that and she sparkles amongst Lux Lisbon's fluid sophisticated sound.

I only got an impressionistic sketch of Tom Cooper, his crisp guitar work on 'Demons You Show' which was both strong and soulful. The tribal edge that drummer Jamie Shaw brought to 'Devil got me dancing' was a river that swelled with the voice of Charlotte Austen, and I wasn't the only one to be swept away.


Tom Cooper
It was a return to more familiar territory for me with the jack-in-the-box trumpet of Elliot Phelps on subsequent tunes 'Get some scars' and 'Keep me wild'. The latter, a new tune, was heartfelt and authentic in the hands of lead singer and multi-instrumentalist Stuart Rook. It was a fanfare to outdoor hours at late night parties. You felt the cool grass of an English lawn beneath your feet. The smell of a forbidden lake or river in the air and the irresistible desire to skinnydip.

Lux Lisbon currently have a free download (Get Some Scars EP - Special Edition) available at -
https://luxlisbonsmusic.bandcamp.com/releases

Elliot Phelps
More importantly they have just announced a new live date at the Hoxton Bar and Kitchen on January 28th 2015.  It will be well worth catching if you can. A third of the tickets have already sold and if it's anything like the gig at The Lexington then they will sell-out along time before the date itself.
For more information visit - http://luxlisbon.com/

AL.




 

Monday, 18 November 2013

Big Up Tom Robinson & Melissa James

Tom Robinson
My last gig before the summer break was a modest but brilliant gig by two singers who I have since developed a healthy respect for. Hosted by Melissa James and supported by Kaz Simmons, this was the launch of the 'Gig in a Gallery' series of events to raise awareness and funds for the Small Steps Project. Now 3 months on, (30/10/2013) we found that the ball which Melissa James had got rolling in July was now a boulder of Indiana Jones chasing proportions. Here and now at the Queen of Hoxton James had organised a charity night that featured the likes of Orlando Seale and the Swell, Danni Nicholls, Sarah Bleach, Vincent Burke, Ardie Collins, Dean Atta, Lux Lisbon, Swami Baracus and the headliner Tom Robinson.

Orlando Seale
All the creative people performing tonight were part of a song writing group called 'Strictly Vanilla' who had spent a weekend together at Bore Place, Kent this time last year. The brainchild of Tom Robinson who wrapped his fatherly arms around them and fostered an environment in which they flourished artistically and collaboratively.

Danni Nicholls
I'm setting my stall out early to say that although I sketched nearly everyone who performed I couldn't include them all here. We had a brief 20 minutes to grow accustomed to each act with its new music, style and a whole range of shapes, ages and genres. While we were at our freshest, Orlando Seale and his Swell, swashbuckled themselves straight into our gunnels, with Seale's dark piercing eyes it is near impossible to you look anywhere else. Sarah Bennington saved us from shipwrecking ourselves on his shores with her flute which charmed us away from his hypnotic gaze.

Vincent Burke
Where Seale foppishly raked us with curly locks our second performer had a direct steely presence that was perfectly projected through her serene chiselled visage. With the paint still wet on her debut album release 'A Little Redemption' Danni Nicholls gave us a short 2 tune set which culminated with a penetrating 'Jolene' and a guest appearance from rapper Swami Baracus who stamped his own modern footprint on the 2013 crowd

Leslie Baldock
While Sarah Bleach played her 3 tunes I grabbed the opportunity to draw a fascinating gentleman in front of me who was holding a copy of Diableries: Stereoscopic Adventures in Hell closely to his bosom. Dressed in vertical stripes and leather jacket he looked like a cross between an American football umpire and a well maintained Fonz. He turned out to be Orlando Seale uberfan Leslie Baldock, who like many of the crowd who packed out the venue, had come to experience their favourite performer but stayed on to hear the rest because the night's menu was plentiful. That's not to say we didn't tire and lag a little in places. However successful, 10 acts takes some concentrating and devotion, even diehards like 'Gig in a Gallery' regulars Dr & Mrs Fizzy stretched a leg or two, to ward off acoustic cramp.


Ardie Collins
One of my favourites to draw and hear was Vincent Burke, he tumbled out of the 50's in appearance but his deadpan tune 'He paid to have himself murdered' is relevant and humorous in any era, a real delight for anyone afflicted with dryhumouritus, like myself. Some people would also like his 'Stronger than a mountain' and I count myself in that camp too.



Dean Atta - Performance Poet
"The Key to quality is quantity" was anoraked Tom Robinson's quote to the audience. Here before us was the man who released 365 songs in one year, Ardie Collins. Unfortunately this self-effacing songwriter left us 363 tunes short and despite his simmering wit I imagine there's much more to come from under his heavy fringe.

Lux Lisbon's Stuart Rook
Just as I thought I had hit my sketching summit with Burke we were entertained and socially pricked by spikey poet Dean Atta. I often lose track of words while drawing so I cannot vouch so clearly for his content but I can for the sentiment and his pulsating energy which seemed to leap directly onto my page.

Melissa James
The train containing all these performers was rattling along at a runaway pace but took a total right angle turn with Lux Lisbon whose roaring aggressive stance certainly knocked me from my feet and into the lap of the charming singer Kaz Simmons who rested beside me. The juxtaposition with the earlier folk-flavoured bias was refreshing and you cannot doubt the commitment of frontman Stuart Rook who pogoed and ranted until his face turned a healthy puce. Who would get him so hot under the collar? It seems three scallywags from the Bullingdon Club, bullyboys Osborne, Johnson and Cameron.


Swami Baracus
"She sings the blues in the way it's supposed to be sung" was what Tom Robinson said as he announced her arrival. Melissa James gave us what we wanted, a gutsy 4 song set with the absolute standout being 'Don't keep yourself down', which was the best of the whole night and featured the man who would now follow in her steps, the ninth act this evening, Swami Baracus. Who was entertaining for me as an artist with his Halloween inspired black and orange combo, ritualistic rapping hand gestures and rapid fire delivery. Pow!

I never thought I would hear the call to arms 'Big Up Tom Robinson'. It reminded me of a gig in Westminster Reference Library with the jazz group Polar Bear and an unnamed rapper who called to the audience, "Yeah you in the periodicals, wave your hands in the air man!". But Mr Baracus was right, Big Up Tom Robinson, who discarded his dark green anorak, his translucent rimmed specs and got sweaty with the rest of us.

Big Up too to Melissa James.

AL.